Teenage Mutant Ninja Turtles: The Last Ronin II - Re-Evolution #1 spoiler-free review: goes hard on the action, but lacks the gritty tone of the first series

Teenage Mutant Ninja Turtles: The Last Ronin was a blockbuster series with a gloriously simple premise. Years into the future - and in a continuity separate from the original TMNT - three of the original Turtles have been killed in battle leaving only one survivor, Michelangelo, to avenge his fallen family. It was tougher and darker than most Turtles comics and fans lapped it up.

Two years later, the sequel is upon us. Clearly hoping that lightning will strike twice, IDW has re-assembled the original creative team, including writers Tom Waltz and TMNT co-creator Kevin Eastman, along with artists Esau and Isaac Escorza, and Ben Bishop. We've read the first issue and while we can't get into spoilers just yet - the issue is published this Wednesday - it's safe to say that The Last Ronin II - Re-Evolution #1 will satisfy those hoping for an action-packed sequel even if, on the basis of this first issue, it has quite a different tone to the previous series.

The story picks up 15 years after the events of The Last Ronin. Hiroto and the Foot Clan are long gone, but New York City is falling ever further into chaos. Meanwhile, April O'Neil and her daughter Casey Marie are raising a new generation of ninja turtles in secret while also fighting to keep a lid on the growing violence on the streets. It's not quite working - as Casey puts it early in the issue, "it's become a war of attrition" - and even their allies are starting to feel that the Resistance's non-lethal methods aren't making enough of an impact.

Enter the new Turtles: Yi, Odyn, Moja, and Uno, trained in the skills and traditions of Clan Hamato and Masters Splinter and Michelangelo. Can they turn the tide and save the city?

It's fair to say that The Last Ronin II isn't simply more of the same. By its nature, four young, wise-cracking Turtles are going to be a very different proposition to the terse, solitary and vengeance-driven Michelangelo going it alone. In some ways it feels closer in tone to the regular TMNT