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Start your Monday with an easy Wordle win—just click or scroll straight to today's answer (we won't tell anyone, promise). Or if you'd prefer, start your week with as much or as little Wordle help as you need. Take a look at our tips if you need to polish your word guessing technique, or give yourself a helping hand with a clue for the January 22 (947) game.
is an exciting upcoming game from developer Ninja Theory, and details about its release are finally coming together after years of anticipation. As a follow-up to 2017's, dives back into the story of Senua, a Celtic warrior struggling with visions and voices that have haunted her since her youth. The title was first announced in 2019 and showcased at a number of events over time, sticking to a fairly public development cycle that helped promote the first game ahead of its launch.
Piranha Bytes is on the verge of closure, several industry sources have said. Currently owned by the Embracer Group subsidiary THQ Nordic, the celebrated RPG developer has been in business for nearly three decades.
Polish developer and publisher CI Games has announced plans to cut approximately 10% of its workforce.
Polish video game developer and publisher CI Games has laid off 10 percent of its staff.
NVIDIA GeForce RTX 4070 SUPER GPU is already selling below its MSRP in Poland just a day after its launch and is still up for grabs.
I really feel like we're nudging towards the Cyberpunk: 2077-style future where netrunner hackers will basically become wizards, able to explode just about anything with a few lines of rogue code. Okay—the reality may be far more boring, but considering they put DRM in trains a while back I'm crossing my fingers for cyber sorcerers in the next few decades.
I own a jacket that’s eerily similar to Tess’ in Open Roads. It’s a blue bomber with yellow and burnt orange accents, and it’s not the only thing that Tess and I have in common. As she leisurely explores her childhood bedroom in the first few minutes of the game, Tess comes across set pieces that ground her environment in the early 2000s. There’s a chunky black television set and scattered DVD cases, little bottles of bright nail polish, a black-and-white strip from a photo booth, newspapers remembering 9/11 and hunting for bigfoot, and a bright pink tube of sickly sweet lip balm. These are the leftovers of her adolescence — the room is disheveled and largely empty, with most of her possessions packed away, ready to move. Tess picks through the room’s remaining photos and yearbooks, her hand-drawn fingers reaching out to interact with 3D objects, revealing more of her backstory with each touch. The cuff of her jacket is jarringly familiar every time it enters the frame.